Monday, June 30, 2008

China oil paintings

China oil paintings
thwarted destiny enough. I know we can help each other in many ways. You are going to keep up your studies, aren't you? So am I. Come, I'm going to walk home with you."
Marilla looked curiously at Anne when the latter entered the kitchen.
"Who was that came up the lane with you, Anne?"
"Gilbert Blythe," answered Anne, vexed to find herself blushing. "I met him on Barry's hill."
"I didn't think you and Gilbert Blythe were such good friends that you'd stand for half an hour at the gate talking to him," said Marilla with a dry smile.
"We haven't been--we've been good enemies. But we have decided that it will be much more sensible to be good friends in the future. Were we really there half an hour? It seemed just a few minutes. But, you see, we have five years' lost conversations to catch up with, Marilla."

Pino Mystic Dreams painting

Pino Mystic Dreams painting
Fabian Perez the face of tango ii painting
like a wave of sorrow. She could see Matthew's face smiling at her as he had smiled when they parted at the gate that last evening--she could hear his voice saying, "My girl--my girl that I'm proud of." Then the tears came and Anne wept her heart out. Marilla heard her and crept in to comfort her.
"There--there--don't cry so, dearie. It can't bring him back. It--it--isn't right to cry so. I knew that today, but I couldn't help it then. He'd always been such a good, kind brother to me--but God knows best."
"Oh, just let me cry, Marilla," sobbed Anne. "The tears don't hurt me like that ache did. Stay here for a little while with me and keep your arm round me--so. I couldn't have Diana stay, she's good and kind and sweet--but it's not her sorrow--she's outside of it and she couldn't come close enough to my heart to help me. It's our sorrow-- yours and mine. Oh, Marilla, what will we do without him?"

Claude Monet The Water Lily Pond painting

Claude Monet The Water Lily Pond painting
Steve Hanks Ocean Breeze painting
On the morning when the final results of all the examinations were to be posted on the bulletin board at Queen's, Anne and Jane walked down the street together. Jane was smiling and happy; examinations were over and she was comfortably sure she had made a pass at least; further considerations troubled Jane not at all; she had no soaring ambitions and consequently was not affected with the unrest attendant thereon. For we pay a price for everything we get or take in this world; and although ambitions are well worth having, they are not to be cheaply won, but exact their dues of work and self-denial, anxiety and discouragement. Anne was pale and quiet; in ten more minutes she would know who had won the medal and who the Avery. Beyond those ten minutes there did not seem, just then, to be anything worth being called Time.
"Of course you'll win one of them anyhow," said Jane, who couldn't understand how the faculty could be so unfair as to order it otherwise.
"I have not hope of the Avery," said Anne. "Everybody says Emily Clay will win it. And I'm not going to march up to that

Saturday, June 28, 2008

Lord Frederick Leighton The Painter's Honeymoon painting

Lord Frederick Leighton The Painter's Honeymoon painting
Douglas Hoffman dying swan painting
post office. "Have you discovered another kindred spirit?" Excitement hung around Anne like a garment, shone in her eyes, kindled in every feature. She had come dancing up the lane, like a wind-blown sprite, through the mellow sunshine and lazy shadows of the August evening.
"No, Marilla, but oh, what do you think? I am invited to tea at the manse tomorrow afternoon! Mrs. Allan left the letter for me at the post office. Just look at it, Marilla. `Miss Anne Shirley, Green Gables.' That is the first time I was ever called `Miss.' Such a thrill as it gave me! I shall cherish it forever among my choicest treasures."
"Mrs. Allan told me she meant to have all the members of her Sunday-school class to tea in turn," said Marilla, regarding the wonderful event very coolly. "You needn't get in such a fever over it. Do learn to take things calmly, child."
For Anne to take things calmly would have been to change her nature. All "spirit and fire and dew," as she was, the pleasures and pains of life came to her with trebled intensity. Marilla felt this and was vaguely troubled over it,

Friday, June 27, 2008

Hessam Abrishami paintings

Hessam Abrishami paintings
Howard Behrens paintings
You mustn't mind Gilbert making fun of your hair," she said soothingly. "Why, he makes fun of all the girls. He laughs at mine because it's so black. He's called me a crow a dozen times; and I never heard him apologize for anything before, either."
"There's a great deal of difference between being called a crow and being called carrots," said Anne with dignity. "Gilbert Blythe has hurt my feelings excruciatingly, Diana."
It is possible the matter might have blown over without more excruciation if nothing else had happened. But when things begin to happen they are apt to keep on.
Avonlea scholars often spent noon hour picking gum in Mr. Bell's spruce grove over the hill and across his big pasture field. From there they could keep an eye on Eben Wright's house, where the master boarded. When they saw Mr. Phillips emerging therefrom they ran for the schoolhouse; but the distance being about three times longer than Mr. Wright's lane they were very apt to arrive there, breathless and gasping, some three minutes too late.

Thursday, June 26, 2008

Thomas Stiltz paintings

Thomas Stiltz paintings
Tamara de Lempicka paintings
"She's a real odd little thing. Take this chair, Marilla; it's easier than the one you've got; I just keep that for the hired boy to sit on. Yes, she certainly is an odd child, but there is something kind of taking about her after all. I don't feel so surprised at you and Matthew keeping her as I did--nor so sorry for you, either. She may turn out all right. Of course, she has a queer way of expressing herself-- a little too--well, too kind of forcible, you know; but she'll likely get over that now that she's come to live among civilized folks. And then, her temper's pretty quick, I guess; but there's one comfort, a child that has a quick temper, just blaze up and cool down, ain't never likely to be sly or deceitful. Preserve me from a sly child, that's what. On the whole, Marilla, I kind of like her."
When Marilla went home Anne came out of the fragrant twilight of the orchard with a sheaf of white narcissi in her hands.

Johannes Vermeer paintings

Johannes Vermeer paintings
Jacques-Louis David paintings
It was too bad there was such a mistake," said Mrs. Rachel sympathetically. "Couldn't you have sent her back?"
"I suppose we could, but we decided not to. Matthew took a fancy to her. And I must say I like her myself-- although I admit she has her faults. The house seems a different place already. She's a real bright little thing."
Marilla said more than she had intended to say when she began, for she read disapproval in Mrs. Rachel's expression.
"It's a great responsibility you've taken on yourself," said that lady gloomily, "especially when you've never had any experience with children. You don't know much about her or her real disposition, I suppose, and there's no guessing how a child like that will turn out. But I don't want to discourage you I'm sure, Marilla."
"I'm not feeling discouraged," was Marilla's dry response. "when I make up my mind to do a thing it stays made up. I suppose you'd like to see Anne. I'll call her in."

Thomas Kinkade Mountain Paradise painting

Thomas Kinkade Mountain Paradise painting
Thomas Kinkade Mountain Memories painting
like smoke at Tellson's, and a cocking their medical eyes at that tradesman on the sly, a going in and going out to their own carriages--ah! equally like smoke, if not more so. Well, that 'ud be imposing, too, on Tellson's. For you cannot sarse the goose and not the gander. And here's Mrs. Cruncher, or leastways wos in the Old England times, and would be to- morrow, if cause given, a floppin' again the business to that degree as is ruinating stark ruinating! Whereas them medical doctors' wives don't flop--catch 'em at it! Or, if they flop, their floppings goes in favour of more patients, and how can you rightly have one without the t'other? Then, wot with undertakers, and wot with parish clerks, and wot with sextons, and wot with private watchmen (all awaricious and all in it), a man wouldn't get much by it, even if it wos so. And wot little a man did get, would never prosper with him, Mr. Lorry. He'd never have no good of it; he'd want all along to be out of the line, if he could see his way out, being once in--even if it wos so.'

Thomas Kinkade Brookeside Hideaway painting

Thomas Kinkade Brookeside Hideaway painting
Thomas Kinkade Bridge of Faith painting
accorded to him to have Charles Darnay brought before the lawless Court, and examined. That, he seemed on the point of being at once released, when the tide in his favour met with some unexplained check (not intelligible to the Doctor), which led to a few words of secret conference. That, the man sitting as President had then informed Doctor Manette that the prisoner must remain in custody, but should for his sake, be held inviolate in safe custody. That, immediately, on a signal, the prisoner was removed to the interior of the prison again; but, that lie, the Doctor, had then so strongly pleaded for permission to remain and assure himself that his son-in-law was, through no malice or mischance, delivered to the concourse whose murderous yells outside the gate had often drowned the proceedings, that lie had obtained the permission, and had remained in that Hall of Blood until the danger was over.
The sights he had seen there, with brief snatches of food and sleep by intervals, shall remain untold. The mad job over the prisoners who w

Thomas Kinkade lake_arrowhead painting

Thomas Kinkade lake_arrowhead painting
Thomas Kinkade Lakeside Manor painting
before, had this work always ready for it now, that it could strike. The fingers of the knitting women were vicious, with the experience that they could tear. There was a change in the appearance of Saint Antoine; the hammering into this for hundreds of years, and the last finishing blows had told mightily on the expression.
Madame Defarge sat observing it, with such suppressed approval as was to be desired in the leader of the Saint Antoine women. One of her sisterhood knitted beside her. The short, rather plump wife of a starved grocer, and the mother of two children withal, this lieutenant had already earned the complimentary name of The Vengeance.
`Hark!' said The Vengeance. `Listen, then! Who comes?'
As if a train of powder laid from the outermost bound of the Saint Antoine Quarter to the wine-shop door, had been suddenly fired, a fast-spreading murmur came rushing along.
`It is Defarge,' said madame. `Silence, patriots!'

Wednesday, June 25, 2008

Thomas Kinkade Cobblestone Brooke painting

Thomas Kinkade Cobblestone Brooke painting
Thomas Kinkade Cobblestone Bridge painting
Sind wir nicht Knaben glatt und fein?was sollen wir länger Schuster sein!"
Dann hüpften und tanzten sie, und sprangen über Stühle und Bänke. Endlich tanzten sie zur Tür hinaus. Von nun an kamen sie nicht wieder, dem Schuster aber ging es wohl, solang er lebte, und es glückte ihm alles, was er unternahm.
Zweites Märchen
Es war einmal ein armes Dienstmädchen, das war fleißig und reinlich, kehrte alle Tage das Haus und schüttete das Kehricht auf einen großen Haufen vor die Türe.
Eines Morgens, als es eben wieder an die Arbeit gehen wollte, fand es einen Brief darauf, und weil

childe hassam At the Piano painting

childe hassam At the Piano painting
Avtandil The Grand Opera painting
"Looking-glass, looking-glass, on the wall,Who in this land is the fairest of all?"
It answered,
"Thou art fairer than all who are here, lady queen.But more beautiful still is Snow White, as I ween."
Then the queen was shocked, and turned yellow and green with envy. From that hour, whenever she looked at Snow White, her heart heaved in her breast, she hated the girl so much. And envy and pride grew higher and higher in her heart like a weed, so that she had no peace day or night.
She called a huntsman, and said, "Take the child away into the forest. I will no longer have her in my sight. Kill her, and bring me back her lung and liver as a token." The huntsman obeyed, and took her away but when he had drawn his knife, and was about to pierce Snow White's innocent heart, she began to weep, and said, "Ah dear huntsman, leave me my life. I will run away into the wild forest, and never come home again."

Vincent van Gogh The Starry Night painting

Vincent van Gogh The Starry Night painting
John William Waterhouse Gather ye rosebuds while ye may painting
Schneewittchen aber wuchs heran und wurde immer schöner, und als es sieben Jahre alt war, war es so schön, wie der klare Tag und schöner als die Königin selbst. Als diese einmal ihren Spiegel fragte:
"Spieglein, Spieglein an der Wand,Wer ist die Schönste im ganzen Land?"
so antwortete er:
"Frau Königin, Ihr seid die Schönste hier,Aber Schneewittchen ist tausendmal schöner als Ihr."
Da erschrak die Königin und ward gelb und grün vor Neid. Von Stund an, wenn sie Schneewittchen erblickte, kehrte sich ihr das Herz im Leibe herum. so haßte sie das Mädchen. Und der Neid und Hochmut wuchsen wie ein Unkraut in ihrem Herzen immer höher, daß sie Tag und Nacht keine Ruhe mehr hatte.
Da rief sie einen Jäger und sprach: "Bring das Kind hinaus in den Wald, ich will's nicht mehr vor mein

Guillaume Seignac The Wave painting

Guillaume Seignac The Wave painting
William Bouguereau The Rapture of Psyche painting
fort und die junge Königin sehen. Und wie sie hineintrat, erkannte sie Schneewittchen, und vor Angst und Schrecken stand sie da und konnte sich nicht regen. Aber es waren schon eiserne Pantoffel über Kohlenfeuer gestellt und wurden mit Zangen hereingetragen und vor sie hingestellt. Da mußte sie in die rotglühenden Schuhe treten und so lange tanzen, bis sie tot zur Erde fiel. Once upon a time in the middle of winter, when the flakes of snow were falling like feathers from the sky, a queen sat at a window sewing, and the frame of the window was made of black ebony. And whilst she was sewing and looking out of the window at the snow, she pricked her finger with the needle, and three drops of blood fell upon the snow. And the red looked pretty upon the white snow, and she thought to herself, would that I had a child as white as snow, as red as blood, and as black as the wood of the window-frame.
Soon after that she had a little daughter, who was as white as snow, and as red as blood, and her hair was as black as ebony, and she was therefore called little Snow White. And when the child was born, the queen died.

Tuesday, June 24, 2008

Edwin Austin Abbey paintings

Edwin Austin Abbey paintings
Edward Hopper paintings
Well, that was my wages for seven years of service."
"You have known how to look after yourself each time," said the grinder. "If you can only get on so far as to hear the money jingle in your pocket whenever you stand up, you will have made your fortune."
"How shall I manage that?" said Hans.
"You must be a grinder, as I am, nothing particular is wanted for it but a grindstone, the rest finds itself. I have one here, it is certainly a little worn, but you need not give me anything for it but your goose, will you do it?"
"How can you ask," answered Hans. "I shall be the luckiest fellow on earth. If I have money whenever I put my hand in my pocket, why should I ever worry again." And he handed him the goose and received the grindstone in exchange.
"Now," said the grinder, as he took up an ordinary heavy stone that lay by him, "here is a strong stone for you into the bargain, you can hammer well upon it, and straighten your old nails. Take it with you and keep it carefully."

Warren Kimble paintings

Warren Kimble paintings
Wassily Kandinsky paintings
Hans war seelenfroh, als er auf dem Pferde saß und so frank und frei dahinritt. Über ein Weilchen fiels ihm ein, es sollte noch schneller gehen, und fing an mit der Zunge zu schnalzen und hopp hopp zu rufen.
Das Pferd setzte sich in starken Trab, und ehe sichs Hans versah' war er abgeworfen und lag in einem Graben, der die Äcker von der Landstraße trennte. Das Pferd wäre auch durchgegangen, wenn es nicht ein Bauer auf gehalten hätte, der des Weges kam und eine Kuh vor sich hertrieb. Hans suchte seine Glieder zusammen und machte sich wieder auf die Beine.
Er war aber verdrießlich und sprach zu dem Bauer "es ist ein schlechter Spaß, das Reiten, zumal, wenn man auf so eine Mähre gerät, wie diese, die stößt und einen herabwirft, daß man den Hals brechen kann; ich setze mich nun und nimmermehr wieder auf. Da lob ich mir Eure Kuh, da kann einer mit Gemächlichkeit hinterhergehen, und hat obendrein seine Milch, Butter und Käse jeden Tag gewiß. Was gäb ich darum, wenn ich so eine Kuh hätte!"
"Nun," sprach der Bauer, "geschieht Euch so ein großer Gefallen, so will ich Euch wohl die Kuh für das Pferd vertauschen."
Hans willigte mit tausend Freuden ein: der Bauer schwang sich aufs Pferd und ritt eilig davon.

Monday, June 23, 2008

China oil paintings

China oil paintings
Then they went still further out of the town, and drove their geese into the country. And when they had come to the meadow, she sat down and unbound her hair which was like pure gold, and Conrad saw it and delighted in its brightness, and wanted to pluck out a few hairs. Then she said,
"Blow, blow, thou gentle wind, I say,Blow Conrad's little hat away,And make him chase it here and there,Until I have braided all my hair,And bound it up again."
And there came such a violent wind that it blew Conrad's hat far away across country, and he was forced to run after it. When he came back she had finished combing her hair and was putting it up again, and he could not get any of it. Then Conrad was angry, and would not speak to her, and thus they watched the geese until the evening, and then they went home.
Next day when they were driving the geese out through the dark gateway, the maiden said,
"Alas, Falada, hanging there."

Thomas Kinkade Bridge of Faith painting

Thomas Kinkade Bridge of Faith painting
Thomas Kinkade Besides Still Waters painting
etwas zerbrochen. Da drehte er sich um, und rief "Heinrich, der Wagen bricht."
"Nein, Herr, der Wagen nicht, es ist ein Band von meinem Herzen, das da lag in gro遝n Schmerzen,als ihr in dem Brunnen sa遲,als ihr eine Fretsche (Frosch) was't (wart)."
Noch einmal und noch einmal krachte es auf dem Weg, und der K鰊igssohn meinte immer der Wagen br鋍he, und es waren doch nur die Bande, die vom Herzen des treuen Heinrich absprangen, weil sein Herr wieder erl鰏t und gl點klich war. In olden times when wishing still helped one, there lived a king whose daughters were all beautiful, but the youngest was so beautiful that the sun itself, which has seen so much, was astonished whenever it shone in her face.

Thomas Kinkade The Light of Freedom painting

Thomas Kinkade The Light of Freedom painting
Thomas Kinkade The Hour of Prayer painting
Come, I pray thee, here to me.For my wife, good ilsabil,Wills not as I'd have her will."
"Well, what does she want, now?" said the flounder.
"Alas," said the man, "she wants to be pope."
"Go to her then," said the flounder, "she is pope already."
So he went, and when he got there, he saw what seemed to be a large church surrounded by palaces. He pushed his way through the crowd. Inside, however, everything was lighted up with thousands and thousands of candles, and his wife was clad in gold, and she was sitting on a much higher throne, and had three great golden crowns on, and round about her there was much ecclesiastical splendor. And on both sides of her was a row of candles the largest of which was as tall as the very tallest tower, down to the very smallest kitchen candle, and all the emperors and kings were on their knees before her, kissing her shoe. Wife, said the

Saturday, June 21, 2008

Thomas Kinkade Footprints in the sand painting

Thomas Kinkade Footprints in the sand painting
Thomas Kinkade Fisherman's Wharf painting

annehmen. Ich spiele die Laute, und du schl鋑st die Pauken." Der Hund war einverstanden, und sie gingen mitsammen weiter.
Es dauerte nicht lange, da sahen sie eine Katze am Wege sitzen, die machte ein Gesicht wie drei Tage Regenwetter. "Was ist denn dir in die Quere gekommen, alter Bartputzer?" fragte der Esel.
"Wer kann da lustig sein, wenn's einem an den Kragen geht", antwortete die Katze. "Weil ich nun alt bin, meine Z鋒ne stumpf werden und ich lieber hinter dem Ofen sitze und spinne, als nach M鋟sen herumjage, hat mich meine Frau ers鋟fen wollen. Ich konnte mich zwar noch davonschleichen, aber nun ist guter Rat teuer. Wo soll ich jetzt hin?"
"Geh mit uns nach Bremen! Du verstehst dich doch auf die Nachtmusik, da kannst du Stadtmusikant werden." Die Katze hielt das f黵 gut und ging mit.

Friday, June 20, 2008

Thomas Kinkade Stairway to Paradise painting

Thomas Kinkade Stairway to Paradise painting
Thomas Kinkade spirit of xmas painting
dritten Tag, als die Eltern und Schwestern fort waren, ging Aschenputtel wieder zu seiner Mutter Grab und sprach zu dem B鋟mchen
"B鋟mchen, r黷tel dich und sch黷tel dich, wirf Gold und Silber 黚er mich." Nun warf ihm der Vogel ein Kleid herab, das war so pr鋍htig und gl鋘zend, wie es noch keins gehabt hatte, und die Pantoffeln waren ganz golden. Als es in dem Kleid zu der Hochzeit kam, wu遲en sie alle nicht, was sie vor Verwunderung sagen sollten. Der K鰊igssohn tanzte ganz allein mit ihm, und wenn es einer aufforderte, sprach er "das ist meine T鋘zerin."
Als es nun Abend war, wollte Aschenputtel fort, und der K鰊igssohn wollte es begleiten, aber es entsprang ihm so geschwind, da?er nicht folgen konnte. Der K鰊igssohn hatte aber eine List gebraucht, und hatte die ganze Treppe mit Pech bestreichen lassen: da war, als es hinabsprang, der linke Pantoffel des M鋎chens h鋘gen geblieben. Der K鰊igssohn hob ihn auf, und er war klein und zierlich und ganz golden.
Am n鋍hsten Morgen ging er damit zu dem Mann und sagte zu ihm "keine andere

Thomas Kinkade Make a Wish Cottage painting

Thomas Kinkade Make a Wish Cottage painting
Thomas Kinkade London painting
What then could have been in this letter to cause so dreadful a result?"
""Nothing. There lies the inexplicable part of it. The message was absurd and trivial. Ah, my God, it is as I feared!"
"As he spoke we came round the curve of the avenue and saw in the fading light that every blind in the house had been drawn down. As we dashed up to the door, my friend's face convulsed with grief, a gentleman in black emerged from it.
""When did it happen, doctor?" asked Trevor.
" "Almost immediately after you left."
""Did he recover consciousness?"
" "For an instant before the end."
""Any message for me?"
" "Only that the papers were in the back drawer of the Japanese cabinet."

Thomas Kinkade The old fishing hole painting

Thomas Kinkade The old fishing hole painting
Thomas Kinkade The Night Before Christmas painting
"From that day, amid all his cordiality, there was always a touch of suspicion in Mr. Trevor's manner towards me. Even his son remarked it. "You've given the governor such a turn," said he, "that he'll never be sure again of what you know and what you don't know." He did not mean to show it, I am sure, but it was so strongly in his mind that it peeped out at every action. At last I became so convinced that I was causing him uneasiness that I drew my visit to a close. On the very day, however, before I left, an incident occurred which proved in the sequel to be of importance.
"We were sitting out upon the lawn on garden chairs, the three of us, basking in the sun and admiring the view across the Broads, when a maid came out to say that there was a man at the door who wanted to see Mr. Trevor.
""What is his name?" asked my host.
" "He would not give any."
""What does he want, then?"
" "He says that you know him, and that he only wants a moment's conversation."

Thursday, June 19, 2008

Theodore Robinson From the Hill Giverny painting

Theodore Robinson From the Hill Giverny painting
Louis Aston Knight Sunny Afternoon on the Canal painting
Ritual says. How does it run? "Whose was it?" His who is gone. That was after the execution of Charles. Then, "Who shall have it?" "He who will come. That was Charles the Second, whose advent was already foreseen. There can, I think, be no doubt that this battered and shapeless diadem once encircled the brows of the royal Stuarts."
""And how came it in the pond?"
" "Ah, that is a question that will take some time to answer." And with that I sketched out to him the whole long chain of surmise and of proof which I had constructed. The twilight had closed in and the moon was shining brightly in the sky before my narrative was finished.
""And how was it then that Charles did not get his crown when he returned?" asked Musgrave, pushing back the relic into its linen bag.
""Ah, there you lay your finger upon the one point which we shall probably never be able to clear up. It is likely that the Musgrave who held the secret died in the interval, and by

China oil paintings

China oil paintings ""You must bear in mind," said I, `that the royal party made head in England even after the death of the king, and that when they at last fled they probably left many of their most precious possessions buried behind them, with the intention of returning for them in more peaceful times."
""My ancestor, Sir Ralph Musgrave, was a prominent cavalier and the right-hand man of Charles the Second in his wanderings," said my friend.
""Ah, indeed!" I answered. `Well now, I think that really should give us the last link that we wanted. I must congratulate you on coming into the possession, though in rather a tragic manner, of a relic which is of great intrinsic value, but of even greater importance as a historical curiosity."
""What is it, then?" he gasped in astonishment.
" "It is nothing less than the ancient crown of the kings of England."
""The crown!"
" `Precisely. Consider what the Rit

John William Waterhouse waterhouse Saint Cecilia painting

John William Waterhouse waterhouse Saint Cecilia painting
guan zeju Reflecting painting
"I'll be back by three," said he when we had finished our meal. "Both the inspector and the doctor will meet me here at that hour, and I hope by that time to have cleared up any little obscurity which the case may still present."
Our visitors arrived at the appointed time, but it was a quarter to four before my friend put in an appearance. From his expression as he entered, however, I could see that all had gone well with him.
"Any news, Inspector?"
We have got the boy, sir."
"Excellent, and I have got the men."
"You have got them!" we cried, all three. Well, at least I have got their identity. This so-called Blessington is, as I expected, well known at headquarters, and so are his assailants. Their names are Biddle, Hayward, and Moffat."
"The Worthingdon bank gang," cried the inspector.
"Precisely," said Holmes.
"Then Blessington must have been Sutton."
"Exactly," said Holmes.

Wednesday, June 18, 2008

Vittore Carpaccio paintings

Vittore Carpaccio paintings
Warren Kimble paintings
"We can enter in a minute," he gasped, darting out again. "Where is a candle? I doubt if we could strike a match in that atmosphere. Hold the light at the door and we shall get them out, Mycroft, now!"
With a rush we got to the poisoned men and dragged them out into the well-lit hall. Both of them were blue-lipped and insensible, with swollen, congested faces and protruding eyes. Indeed, so distorted were their features that, save for his black beard and stout figure, we might have failed to recognize in one of them the Greek interpreter who had parted from us only a few hours before at the Diogenes Club. His hands and feet were securely strapped together, and he bore over one eye the marks of a violent blow. The other, who was secured in a similar fashion was a tall man in the last stage of emaciation, with several strips of sticking-plaster arranged in a grotesque pattern over his face. He had ceased to moan as we laid him down, and a glance showed me that for him at least our aid had come too late. Mr. Melas, however, still lived, and in less than an hour, with the aid of ammonia and brandy, I had the satisfaction of seeing him open his eyes, and of knowing that my hand had drawn him back from that dark valley in which all paths meet.
It was a simple story which he had to tell, and one which did but confirm our own deductions. His visitor, on entering his rooms, had drawn a life-preserver from his sleeve, and had

Frank Dicksee paintings

Frank Dicksee paintings
Ford Madox Brown paintings
The night was fine, but still it was a very weary vigil. Of course it has the sort of excitement about it that the sportsman feels when he lies beside the watercourse and waits for the big game. It was very long, though -- almost as long, Watson, as when you and I waited in that deadly room when we looked into the little problem of the Speckled Band. There was a church-clock d"Joseph!" ejaculated Phelps.
He was bare-headed, but he had a black cloak thrown over his shoulder, so that he could conceal his face in an instant if there were any alarm. He walked on tiptoe under the shadow of the wall, and when he reached the window he worked a long-bladed knife
-467-through the sash and pushed back the catch. Then he flung open the window, and putting his knife through the crack in the shutters, he thrust the bar up and swung them open. own at Woking which struck the quarters, and I thought more than once that it had stopped. At last, however, about two in the morning, I suddenly heard the gentle sound of a bolt being pushed back and the creaking of a key. A moment later the servants door was opened, and Mr. Joseph Harrison stepped out into the moonlight."

Tuesday, June 17, 2008

Claude Monet Irises in Monets Garden painting

Claude Monet Irises in Monets Garden painting
William Merritt Chase Chase Summertime painting
Well, sir?” asked D’Artagnan.
“Well,” resumed the bourgeois—“well, sir, my wife was carried off yesterday morning, as she was coming out of her workroom.”
“And by whom was your wife carried off?”
“I do not know whether I ought to tell you what I suspect——”
“Sir, I beg you to observe that I ask you absolutely nothing. It is you who have come to me. It is you who have told me that you had a secret to confide to me. Act, then, as you think proper; there is still time to retreat.”
“No, sir, no; you appear to be an honest young man, and I will place confidence in you. I believe, then, that it is not on account of any intrigues

Monday, June 16, 2008

William Bouguereau the first kiss painting

William Bouguereau the first kiss painting
Pino Mystic Dreams painting
'An iron box,' he answered, 'which contains one or two little family matters which are of no value to others but which I should be sorry to lose. Yet I am not a beggar; and I shall reward you, young sahib, and your governor also if he will give me the shelter I ask.'
"I could not trust myself to speak longer with the man. The more I looked at his fat, frightened face, the harder did it seem that we should slay him in cold blood. It was best to get it over.
" 'Take him to the main guard,' said I. The two Sikhs closed in upon him on each side, and the giant walked behind, while they marched in through the dark gateway. Never was a man so compassed round with death. I remained at the gateway with the lantern.
"I could hear the measured tramp of their footsteps sounding through the lonely corridors. Suddenly it ceased, and I heard voices and a scuffle, with the sound of blows. A moment

Daniel Ridgway Knight paintings

Daniel Ridgway Knight paintings
Edmund Blair Leighton paintings
When we secure the men we shall get the treasure. I think that it would be a pleasure to my friend here to take the box round to the young lady to whom half of it rightfully belongs. Let her be the first to open it. Eh, Watson?"
"It would be a great pleasure to me."
"Rather an irregular proceeding," said Jones, shaking his head. "However, the whole thing is irregular, and I suppose we must wink at it. The treasure must afterwards be handed over to the authorities until after the official investigation."
"Certainly. That is easily managed. One other point. I should much like to have a few details about this matter from the lips of Jonathan Small himself. You know I like to work the details of my cases out. There is no objection to my having an unofficial interview with him, either here in my rooms or elsewhere, as long as he is efficiently guarded?"

William Bouguereau paintings

William Bouguereau paintings
Edward hopper paintings
"The aborigines of the Andaman Islands may perhaps claim the distinction of being the smallest race upon this earth, though some anthropologists prefer the Bushmen of Africa, the Digger Indians of America, and the Terra del Fuegians. The average height is rather below four feet, although many full-grown adults may be found who are very much smaller than this.
-128-They are a fierce, morose, and intractable people, though capable of forming most devoted friendships when their confidence has once been gained.
Mark that, Watson. Now, then listen to this. "They are naturally hideous, having large, misshapen heads, small fierce eyes, and distorted features. Their feet and hands, however, are remarkably small. So intractable and fierce are they, that all the efforts of the British officials have failed to win them over in any degree. They have always been a terror to shipwrecked crews, braining the survivors with their stone-headed clubs or shooting them with their poisoned arrows. These massacres are invariably concluded by a cannibal feast. Nice, amiable people, Watson! If this fellow had been left to his own unaided devices, this affair might have taken an even more ghastly turn. I fancy that, even as it is, Jonathan Small would give a good deal not to have employed him."

Saturday, June 14, 2008

John William Godward Absence Makes the Heart Grow Fonder painting

John William Godward Absence Makes the Heart Grow Fonder painting
John William Godward Under the Blossom that Hangs on the Bough painting
He had never seen dogs fight as these wolfish creatures fought, and his first experience taught him an unforgettable lesson. It is true, it was a vicarious experience, else he would not have lived to profit by it. Curly was the victim. They were camped near the log store, where she, in her friendly way, made advances to a husky dog the size of a full-grown wolf, though not half so large as she. There was no warning, only a leap in like a flash, a metallic clip of teeth, a leap out equally swift, and Curly’s face was ripped open from eye to jaw.
It was the wolf manner of fighting, to strike and leap away; but there was more to it than this. Thirty or forty huskies ran to the spot and surrounded the combatants in an intent and silent circle. Buck did not comprehend that silent intentness, nor the eager way with which they were licking their chops. Curly rushed her antagonist, who struck again and leaped aside. He met her next rush with his chest, in a peculiar fashion that tumbled her off her feet. She never regained them. This was what the onlooking huskies had waited for. They closed in upon her

Lord Frederick Leighton Leighton Flaming June painting

Lord Frederick Leighton Leighton Flaming June painting
Gustav Klimt lady with fan painting
BAPTISTA and LUCENTIO]
Signior Baptista, you are happily met.
[To the Pedant]
Sir, this is the gentleman I told you of:I pray you stand good father to me now,Give me Bianca for my patrimony.
Pedant
Soft son!Sir, by your leave: having come to PaduaTo gather in some debts, my son LucentioMade me acquainted with a weighty causeOf love between your daughter and himself:And, for the good report I hear of youAnd for the love he beareth to your daughterAnd she to him, to stay him not too long,I am content, in a good father's care,To have him match'd; and if you please to likeNo worse than I, upon some agreementMe shall you find ready and willingWith one consent to have her so bestow'd;For curious I cannot be with you,Signior Baptista, of whom I hear so well.
Sir, pardon me in what I have to say:Your plainness and your shortness please me well.Right true it is, your son Lucentio hereDoth love my daughter and she loveth

Friday, June 13, 2008

James Jacques Joseph Tissot The Bunch of Violets painting

James Jacques Joseph Tissot The Bunch of Violets painting
Rembrandt Rembrandt night watch painting
seen before. This fellow had Drebber by the collar, and when they came to the head of the steps he gave him a shove and a kick which sent him half across the road. "You hound!" he cried, shaking his stick at him: "I'll teach you to insult an honest girl!" He was so hot that I think he would have thrashed Drebber with his cudgel, only that the cur staggered away down the road as fast as his legs would carry him. He ran as far as the corner, and then seeing my cab, he hailed me and jumped in. "Drive me to Halliday's Private Hotel," said he.
"When I had him fairly inside my cab, my heart jumped so with joy that I feared lest at this last moment my aneurism might go wrong. I drove along slowly, weighing in my own mind what it was best to do. I might take him right out into the country, and there in some deserted lane have my last interview with him. I had almost decided upon this, when he solved the problem for me. The craze for drink had seized him again, and he ordered me to pull up outside a gin palace. He went in, leaving word that I should wait for him. There he remained until closing time, and when he came out he was so far gone that I knew the game was in my own hands.
"Don't imagine that I intended to kill him in cold blood. It would only have been rigid justice if I had done so, but I could not bring myself to do it. I had long determined that he should have a show for his life if he chose to take advantage of it. Among the many billets which I have filled in America during my wandering life, I was once janitor and sweeper-out of the

Thursday, June 12, 2008

Igor V.Babailov paintings

Igor V.Babailov paintings
Juarez Machado paintings
It is interesting, chemically, no doubt," I answered, "but practically
"Why, man, it is the most practical medico-legal discovery for years. Don't you see that it gives us an infallible test for blood stains? Come over here now!" He seized me by the coat-sleeve in his eagerness, and drew me over to the table at which he had been working. "Let us have some fresh blood," he said, digging a long bodkin into his finger, and drawing off the resulting drop of blood in a chemical pipette. "Now, I add this small quantity of blood to a litre of water. You perceive that the resulting mixture has the appearance of pure water. The proportion of blood cannot be more than one in a million. I have no doubt, however, that we shall be able to obtain the characteristic reaction." As he spoke, he threw into the vessel a few white crystals, and then added some drops of a transparent fluid. In an instant the contents assumed a dull mahogany colour, and a brownish dust was precipitated to the bottom of the glass jar.
"Ha! ha!" he cried, clapping his hands, and looking

Wednesday, June 11, 2008

Edward Hopper paintings

Edward Hopper paintings
Edgar Degas paintings
Lady Catherine has been of infinite use, which ought to make her happy, for she loves to be of use. But tell me, what did you come down to Netherfield for? Was it merely to ride to Longbourn and be embarrassed? or had you intended any more serious consequence?'' HAPPY for all her maternal feelings was the day on which Mrs. Bennet got rid of her two most deserving daughters. With what delighted pride she afterwards visited Mrs. Bingley, and talked of Mrs. Darcy, may be guessed. I wish I could say, for the sake of her family, that the accomplishment of her earnest desire in the establishment of so many of her children produced so happy an effect as to make her a sensible, amiable, well-informed woman for the rest of her life; though perhaps it was lucky for her husband, who might not have relished domestic felicity in so unusual a form, that she still was occasionally nervous and invariably silly.

Tuesday, June 10, 2008

John William Godward Under the Blossom that Hangs on the Bough painting


John William Godward Under the Blossom that Hangs on the Bough painting
John William Waterhouse My Sweet Rose painting

fortune, and however uncertain of giving happiness, must be their pleasantest preservative from want. This preservative she had now obtained; and at the age of twenty-seven, without having ever been handsome, she felt all the good luck of it. The least agreeable circumstance in the business was the surprise it must occasion to Elizabeth Bennet, whose friendship she valued beyond that of any other person. Elizabeth would wonder, and probably would blame her; and though her resolution was not to be shaken, her feelings must be hurt by such disapprobation. She resolved to give her the information herself, and therefore charged Mr. Collins, when he returned to Longbourn to dinner, to drop no hint of what had passed before any of the family. A promise of secrecy was of course very dutifully given, but it could not be kept without difficulty; for the curiosity excited by his long absence burst forth in such very direct questions on his return, as required some ingenuity to evade, and he was at the same time exercising great self-denial, for he was longing to publish his prosperous love.

Fra Angelico paintings

Fra Angelico paintings
Frederic Edwin Church paintings
"And yet I cannot see anything save very vague indications."
"On the contrary, to my mind nothing could be more clear. Let me run over the principal steps. We approached the case, you remember, with an absolutely blank mind, which is always an advantage. We had formed no theories. We were simply there to observe and to draw inferences from our observations. What did we see first?
-68-A very placid and respectable lady, who seemed quite innocent of any secret, and a portrait which showed me that she had two younger sisters. It instantly flashed across my mind that the box might have been meant for one of these. I set the idea aside as one which could be disproved or confirmed at our leisure. Then we went to the garden, as you remember, and we saw the very singular contents of the little yellow box.
"The string was of the quality which is used by sailmakers aboard ship, and at once a whiff of the sea was perceptible in our investigation. When I observed that the knot was one

William Bouguereau paintings

William Bouguereau paintings
Edward hopper paintings
circulating library demanded three years’ subscriptions; Mère Rollet claimed the postage due for some twenty letters, and when Charles asked for an explanation, she had the delicacy to reply—
“Oh, I don’t know. It was for her business affairs.”
With every debt he paid Charles thought he had come to the end of them. But others followed ceaselessly. He sent in accounts for professional attendance. He was shown the letters his wife had written. Then he had to apologise.
Félicité now wore Madame Bovary’s gowns; not all, for he had kept some of them, and he went to look at them in her dressing-room, locking himself up there; she was about her height, and often Charles, seeing her from behind, was seized with an illusion, and cried out—
“Oh, stay, stay!”

Monday, June 9, 2008

Lorenzo Lotto paintings

Lorenzo Lotto paintings
Louis Aston Knight paintings
At last, when he had eaten his soup, put on his cloak, lighted his pipe, and grasped his whip, he calmly installed himself on his seat.
The “Hirondelle” started at a slow trot, and for about a mile stopped here and there to pick up passengers who waited for it, standing at the border of the road, in front of their yard gates.
Those who had secured seats the evening before kept it waiting; some even were still in bed in their houses. Hivert called, shouted, swore; then he got down from his seat and went and knocked loudly at the doors. The wind blew through the cracked windows.
The four seats, however, filled up. The carriage rolled off; rows of apple-trees followed one upon another, and the road between its two long ditches, full of yellow water, rose, constantly narrowing towards the horizon.
Emma knew it from end to end; she knew that after a meadow there was a sign-post, next an elm, a barn, or the hut of a lime-kiln tender. Sometimes even, in the hope of getting some surprise, she shut her eyes, but she never lost the clear perception of the distance to be traversed.

Rossetti A Vision of Fiammetta painting

Rossetti A Vision of Fiammetta painting
flower 22007 painting
bookcase. The smell of melted butter penetrated through the walls when he saw patients, just as in the kitchen one could hear the people coughing in the consulting room and recounting their histories. Then, opening on the yard, where the stable was, came a large dilapidated room with a stove, now used as a wood-house, cellar, and pantry, full of old rubbish, of empty casks, agricultural implements past service, and a mass of dusty things whose use it was impossible to guess.
The garden, longer than wide, ran between two mud walls with espaliered apricots, to a hawthorn hedge that separated it from the field. In the middle was a slate sundial on a brick pedestal; four flower beds with eglantines surrounded symmetrically the more useful kitchen garden bed. Right at the bottom, under the spruce bushes, was a curé in plaster reading his breviary.
Emma went upstairs. The first room was not furnished, but in the second, which was their bedroom, was a mahogany bedstead in an alcove

Mary Cassatt paintings

Mary Cassatt paintings
gustav klimt paintings
oil painting reproduction
mark rothko paintings
Edward hopper paintings
"I'll have it ready in little or no time," he said, bustling and packing away his tools. "You may go to my room to brush up and rest yourself. Mariequita will show you."
"Thank you", said Edna. "But, do you know, I have a notion to go down to the beach and take a good wash and even a little swim, before dinner?"
"The water is too cold!" they both exclaimed. "Don't think of it."
"Well, I might go down and try -- dip my toes in. Why, it seems to me the sun is hot enough to have warmed the very depths of the ocean. Could you get me a couple of towels? I'd better go right away, so as to be back in time. It would be a little too chilly if I waited till this afternoon."
-299-
Mariequita ran over to Victor's room, and returned with some towels, which she gave to Edna.
"I hope you have fish for dinner," said Edna, as she started to walk away; "but don't do anything extra if you haven't."

Friday, June 6, 2008

Camille Pissarro paintings

Camille Pissarro paintings
Carl Fredrik Aagard paintings
Caravaggio paintings
Claude Lorrain paintings
her fingers to close in a sort of clutch upon his hand. He felt the pressure of her pointed nails in the flesh of his palm.
She arose hastily and walked toward the mantel.
"The sight of a wound or scar always agitates and sickens me," she said. "I shouldn't have looked at it."
"I beg your pardon," he entreated, following her; "it never occurred to me that it might be repulsive."
He stood close to her, and the effrontery in his eyes repelled the old, vanishing self in her, yet drew all her awakening sensuousness. He saw enough in her face to impel him to take her hand and hold it while he said his lingering good night.
"Will you go to the races again?" he asked.
"No," she said. "I've had enough of the races. I don't want to lose all the money I've won, and I've got to work when the weather is bright, instead of -- "
"Yes; work; to be sure. You promised to show me your work. What morning may I come up to your atelier? To-morrow?"

Knight A Passing Conversation painting

Knight A Passing Conversation painting
Robinson Valley of the Seine Giverny painting
Robinson From the Hill Giverny painting
Cole The Hunter's Return painting
"Do you know we have been together the whole livelong day, Robert -- since early this morning?" she said at parting.
"All but the hundred years when you were sleeping. Good-night."
He pressed her hand and went away in the direction of the beach. He did not join any of the others, but walked alone toward the Gulf.
Edna stayed outside, awaiting her husband's return. She had no desire to sleep or to retire; nor did she feel like going over to sit with the Ratignolles, or to join Madame Lebrun and a group whose animated voices reached her as they sat in conversation before the house. She let her mind wander back over her stay at Grand Isle; and she tried to discover wherein this summer had been different from any and every other summer of her life. She could only realize that she herself -- her present self-was in some way different from the other self. That she was seeing with different eyes and making the acquaintance of new conditions in herself that colored and changed her environment, she did not yet suspect.

Hanks Silver Strand painting

Hanks Silver Strand painting
Monet La Japonaise painting
Perez Tango painting
Vinci The Last Supper painting
herself by saving the patient in spite of the physician. It was while he was still stretched upon a sick- bed that he underwent the first interrogations at the hands of Philippe Lheulier and the examiners of the Holy Office, which had annoyed him greatly. So, one fine morning, feeling himself recovered, he had left his gold spurs in payment to the man of drugs, and had taken himself off. For the rest, this had in no way impeded the course of justice. The law of that day had but few scruples about the clearness and precision of the proceedings against a criminal. Provided the accused was finally hanged, that was sufficient. As it was, the judges had ample proof against Esmeralda. They held Phœbus to be dead, and that decided the matter.
As to Phœbus, he had fled to no great distance. He had simply rejoined his company, then on garrison duty at Queueen-Brie, in the province of île de France, a few stages from Paris.
After all, he had no great desire to appear in person at the trial. He had a vague impression that he would cut a somewhat ridiculous figure. Frankly, he did not quite know what to make of the whole affair. Irreligious, yet credulous like every soldier who is nothing but a soldier, when he

Thursday, June 5, 2008

Picasso Family at Saltimbanquesc painting

Picasso Family at Saltimbanquesc painting
Lempicka Sketch of Madame Allan Bott painting
flower 22007 painting
Rossetti A Vision of Fiammetta painting
While the Pensionary of Ghent and his Eminence were exchanging very low bows and a few words in a tone still lower, a tall man, large-featured and of powerful build, prepared to enter abreast with Guillaume Rym—the mastiff with the fox—his felt hat and leathern jerkin contrasting oddly with all the surrounding velvet and silk. Presuming that it was some groom gone astray, the usher stopped him:
“Hold, friend, this is not your way!”
The man in the leathern jerkin shouldered him aside.
“What does the fellow want of me?” said he in a voice which drew the attention of the entire Hall to the strange colloquy; “ seest not that I am one of them?”
“Your name?” demanded the usher.
“Jacques Coppenole.”
“Your degree?”
“Hosier, at the sign of the ’Three Chains’ in Ghent.”

Knight A Sunny Morning at Beaumont-Le Roger painting

Knight A Sunny Morning at Beaumont-Le Roger painting
Tissot Too Early painting
Vernet Two Soldiers On Horseback painting
Ingres The Grande Odalisque painting
It was no easy matter that day to penetrate into the great Hall, then reputed the largest roofed-in space in the world. (It is true that, at that time, Sauval had not yet measured the great hall of the Castle of Montargis.) To the gazers from the windows, the square in front of the Palais, packed as it was with people, presented the aspect of a lake into which five or six streets, like so many river mouths, were each moment pouring fresh floods of heads. The ever-swelling waves of this multitude broke against the angles of the houses, which projected here and there, like promontories, into the irregular basin of the Place.
In the centre of the high Gothic
arMenu2[9] =
'22 The term Gothic used in its customary sense is quite incorrect, but is hallowed by tradition. We accept it, therefore, and use it like the rest of the world, to characterize the architecture of the latter half of the Middle Ages, of which the pointed arch forms the central idea, and which succeeds the architecture of the first period, of which the round arch is the prevailing feature.—Author’s Note.';
2façde of the Palais was the great flight of steps, incessantly occupied by a double stream ascending and descending, which, after being broken by the intermediate landing, spread in broad waves over the two lateral flights.

Ford Madox Brown paintings

Ford Madox Brown paintings
Federico Andreotti paintings
Fra Angelico paintings
Frederic Edwin Church paintings
How soon he had walked himself into the proper resolution however, how soon an opportunity of exercising it occurred, in what manner he expressed himself, and how he was received, need not be particularly told. This only need be said: -- that when they all sat down to table at four o'clock, about three hours after his arrival, he had secured his lady, engaged her mothers consent, and was not only in the rapturous profession of the lover, but in the reality of reason and truth, one of the happiest of men. His situation indeed was more than commonly joyful. He had more than the ordinary triumph of accepted love to swell his heart, and raise his spirits. He was released without any reproach to himself, from an entanglement which had long formed his misery, from a woman whom he had long ceased to love -- and elevated at once to that security with another, which he must have thought of almost with despair, as soon as he had learnt to consider it with desire. He was brought, not from doubt or suspense, but from misery to happiness; -- and the change was openly spoken in such a genuine, flowing, grateful cheerfulness, as his friends had never witnessed in him before.

Wednesday, June 4, 2008

Tissot Too Early painting

Tissot Too Early painting
Vernet Two Soldiers On Horseback painting
Ingres The Grande Odalisque painting
Mucha Untitled Alphonse Maria Mucha painting
proceeded from Elinor, who was obliged to volunteer all the information about her mothers health, their coming to town, etc., which Edward ought to have inquired about, but never did.
Her exertions did not stop here; for she soon afterwards felt herself so heroically disposed as to determine, under pretence of fetching Marianne, to leave the others by themselves: and she really did it, and that in the handsomest manner, for she loitered away several minutes on the landing place, with the most high-minded fortitude, before she went to her sister. When that was once done, however, it was time for the raptures of Edward to cease; for Marianne's joy hurried her into the drawing-room immediately. Her pleasure in seeing him was like every other of her feelings, strong in itself, and strongly spoken. She met him with a hand that would be taken, and a voice that expressed the affection of a sister.
"Dear Edward!" she cried, "this is a moment of great happiness! -- This would almost make amends for everything!"

hassam Geraniums painting

hassam Geraniums painting
Kahlo Roots painting
Rembrandt Christ In The Storm painting
Pino Restfull painting
Well, my dear, 'tis a true saying about an ill wind, for it will be all the better for Colonel Brandon. He will have her at last; aye, that he will. Mind me, now, if they an't married by Midsummer. Lord! how he'll chuckle over this news! I hope he will come to-night. It will be all to one a better match for your sister. Two thousand a year without debt or drawback -- except the little love-child, indeed; aye, I had forgot her; but she may be 'prenticed out at small cost, and then what does it signify? Delaford is a nice place, I can tell you; exactly what I call a nice old fashioned place, full of comforts and conveniences; quite shut in with great garden walls that are covered with the best fruit-trees in the country: and such a mulberry tree in one corner! Lord! how Charlotte and I did stuff the only time we were there! Then, there is a dovecote, some delightful stewponds, and a very pretty canal; and everything, in short, that one could wish for: and, moreover, it is close to the church, and only a quarter of a mile from the turnpike-road, so 'tis never dull, for if you only go and sit up in an old yew arbo

Picasso Girl Before a Mirror painting

Picasso Girl Before a Mirror painting
Picasso Card Player painting
Lempicka Self Portrait in Green Bugatti painting
Knight The Honeymoon Breakfast painting
The sort of desperate calmness with which this was said, lasted no longer than while she spoke, and was immediately followed by a return of the same excessive affliction. It was some minutes before she could go on with her letter, and the frequent bursts of grief which still obliged her, at intervals, to withhold her pen, were proofs enough of her feeling how more than probable it was that she was writing for the last time to Willoughby.
Elinor paid her every quiet and unobtrusive attention in her power; and she would have tried to sooth and tranquillize her still more, had not Marianne entreated her, with all the eagerness of the most nervous irritability, not to speak to her for the world. In such circumstances, it was better for both that they should not be long together; and the restless state of Marianne's mind not only prevented her from remaining in the room a moment after she was dressed, but requiring at once solitude and continual change of place, made her wander about the house till breakfast time, avoiding the sight of everybody.

Leighton Leighton Flaming June painting

Leighton Leighton Flaming June painting
Bouguereau The Virgin with Angels painting
hassam Poppies Isles of Shoals painting
Dancer dance series painting
"I do not know." And thus ended their discourse.
Never had Marianne been so unwilling to dance in her life, as she was that evening, and never so much fatigued by the exercise. She complained of it as they returned to Berkeley Street.
"Aye, aye," said Mrs. Jennings, "we know the reason of all that very well; if a certain person who shall be nameless had been there, you would not have been a bit tired; and to say the truth, it was not very pretty of him not to give you the meeting when he was invited."
"Invited!" cried Marianne.
"So my daughter Middleton told me, for it seems Sir John met him somewhere in the street this morning."
Marianne said no more, but looked exceedingly hurt. Impatient in this situation to be doing something that might lead to her sister's relief, Elinor resolved to write the next morning to

Picasso Card Player painting

Picasso Card Player painting
Lempicka Self Portrait in Green Bugatti painting
Knight The Honeymoon Breakfast painting
Knight A Passing Conversation painting
Is your sister ill?" said he.
Elinor answered in some distress that she was, and then talked of head-aches, low-spirits, and over-fatigues; and of everything to which she could decently attribute her sister's behaviour.
He heard her with the most earnest attention, but seeming to recollect himself, said no more on the subject, and began directly to speak of his pleasure at seeing them in London, making the usual inquiries about their journey and the friends they had left behind.
In this calm kind of way, with very little interest on either side, they continued to talk, both of them out of spirits, and the thoughts of both engaged elsewhere. Elinor wished very much to ask whether Willoughby were then in town, but she was afraid of giving him pain by any inquiry after his rival; and at length by way of saying something, she asked if he had

John William Waterhouse paintings

John William Waterhouse paintings
John Singer Sargent paintings
Jean-Leon Gerome paintings
Lorenzo Lotto paintings
Lucy here looked up; but Elinor was careful in guarding her countenance from every expression that could give her words a suspicious tendency.
"Edward's love for me," said Lucy, "has been pretty well put to the test, by our long, very long absence since we were first engaged, and it has stood the trial so well, that I should be unpardonable to doubt it now. I can safely say that he has never gave me one moment's alarm on that account from the first."
Elinor hardly knew whether to smile or sigh at this assertion.
Lucy went on. "I am rather of a jealous temper, too, by nature, and from our different situations in life, from his being so much more in the world than me, and our continual separation, I was enough inclined for suspicion, to have found out the truth in an instant, if there had been the slightest alteration in his behaviour to me when we met, or any lowness of spirits that I

Berthe Morisot paintings

Berthe Morisot paintings
Cheri Blum paintings
Camille Pissarro paintings
Carl Fredrik Aagard paintings
"Sometimes," continued Lucy, after wiping her eyes, "I think whether it would not be better for us both, to break off the matter entirely." As she said this, she looked directly at her companion. "But then at other times I have not resolution enough for it. I cannot bear the thoughts of making him so miserable, as I know the very mention of such a thing would do. And on my own account too -- so dear as he is to me -- I don't think I could be equal to it. What would you advise me to do in such a case, Miss Dashwood? What would you do yourself?"
"Pardon me," replied Elinor, startled by the question; "but I can give you no advice under such circumstances. Your own judgment must direct you."
"To be sure," continued Lucy, after a few minutes silence on both sides, "his mother must provide for him some time or other; but poor Edward is so cast down about it! Did not you think him dreadful low-spirited when he was at Barton? He was so miserable when he left us at Longstaple, to go to you, that I was afraid you would think him quite ill."
"Did he come from your uncle's then, when he visited us?"

painting in oil

painting in oil
oil painting for sale
The Miss Steeles, as she expected, had now all the benefit of these jokes, and in the eldest of them they raised a curiosity to know the name of the gentleman alluded to, which, though often impertinently expressed, was perfectly of a piece with her general inquisitiveness into the concerns of their family. But Sir John did not sport long with the curiosity which he delighted to raise, for he had at least as much pleasure in telling the name, as Miss Steele had in hearing it.
"His name is Ferrars," said he, in a very audible whisper; "but pray do not tell it, for it's a great secret."
"Ferrars!" repeated Miss Steele; "Mr. Ferrars is the happy man, is he? What! your sister-in-law's brother, Miss Dashwood? a very agreeable young man to be sure; I know him very well."
"How can you say so Anne?" cried Lucy, who generally made an amendment to all her sister's assertions. "Though we have seen him once or twice at my uncle's, it is rather too much to pretend to know him very well."

Tuesday, June 3, 2008

Bierstadt Autumn in America Oneida County New York painting

Bierstadt Autumn in America Oneida County New York painting
Monet The Red Boats, Argenteuil painting
Waterhouse The Lady of Shalott painting
Leighton Leighton Flaming June painting
``Oh, all right,'' he said, staring with unseeing eyes at the list of guests that she had put in his hand. When he entered the drawing-room before dinner May was stooping over the fire and trying to coax the logs to burn in their unaccustomed setting of immaculate tiles.
The tall lamps were all lit, and Mr. van der Luyden's orchids had been conspicuously disposed in various receptacles of modern porcelain and knobby silver. Mrs. Newland Archer's drawing-room was generally thought a great success. A gilt bamboo jardinière, in which the primulas and cinerarias were punctually renewed, blocked the access to the bay window (where the old-fashioned would have preferred a bronze reduction of the Venus of Milo); the sofas and arm-chairs of pale brocade were cleverly grouped about little plush tables densely covered with silver toys, porcelain animals and efflorescent photograph frames; and tall rosy-shaded lamps shot up like tropical flowers among the palms.
``I don't think Ellen has ever seen this room lighted up,'' said May, rising flushed from her struggle, and sending about her a glance of pardonable pride. The brass tongs which she had propped against the side of

Frederic Remington paintings

Frederic Remington paintings
Francisco de Goya paintings
Filippino Lippi paintings
Francisco de Zurbaran paintings
It struck Archer that May, since their return from Europe, had seldom worn her bridal satin, and the surprise of seeing her in it made him compare her appearance with that of the young girl he had watched with such blissful anticipations two years earlier.
Though May's outline was slightly heavier, as her goddesslike build had foretold, her athletic erectness of carriage, and the girlish transparency of her expression, remained unchanged: but for the slight languor that
-320-Archer had lately noticed in her she would have been the exact image of the girl playing with the bouquet of lilies-of-the-valley on her betrothal evening. The fact seemed an additional appeal to his pity: such innocence was as moving as the trustful clasp of a child. Then he remembered the passionate generosity latent under that incurious calm. He recalled her glance of understanding when he had urged that their engagement should be announced at the Beaufort ball; he heard the voice in which she had said, in the Mission garden: ``I couldn't have my happiness made out of a wrong -- a wrong to some one else;'' and an uncontrollable longing seized him to tell her the truth, to throw himself on her generosity, and ask for the freedom he had once refused.

George Inness paintings

George Inness paintings
George Frederick Watts paintings
Guercino paintings
Howard Behrens paintings
She held out one of the little hands that nestled in a hollow of her huge lap like pet animals, and called to the maid: ``Don't let in any one else. If my daughters call, say I'm asleep.''
The maid disappeared, and the old lady turned to her grandson.
``My dear, am I perfectly hideous?'' she asked gaily,
-298-launching out one hand in search of the folds of muslin on her inaccessible bosom. ``My daughters tell me it doesn't matter at my age -- as if hideousness didn't matter all the more the harder it gets to conceal!''
``My dear, you're handsomer than ever!'' Archer rejoined in the same tone; and she threw back her head and laughed.
``Ah, but not as handsome as Ellen!'' she jerked out, twinkling at him maliciously; and before he could answer she added: ``Was she so awfully handsome the day you drove her up from the ferry?''

Monday, June 2, 2008

Montague Dawson paintings

Montague Dawson paintings
Mary Cassatt paintings
Maxfield Parrish paintings
Martin Johnson Heade paintings
WHEN Archer walked down the sandy main street of St. Augustine to the house which had been pointed out to him as Mr. Welland's, and saw May Welland standing under a magnolia with the sun in her hair, he wondered why he had waited so long to come.
Here was the truth, here was reality, here was the life that belonged to him; and he, who fancied himself so scornful of arbitrary restraints, had been afraid to break away from his desk because of what people might think of his stealing a holiday!
Her first exclamation was: ``Newland -- has anything happened?'' and it occurred to him that it would have been more ``feminine'' if she had instantly read in his eyes why he had come.

Oil Painting Gallery

Oil Painting Gallery
Alfred Gockel paintings
Alexei Alexeivich Harlamoff paintings
Aubrey Beardsley paintings
Archer's laugh lingered on his lips in a slightly condescending smile. It was useless to prolong the discussion: everybody knew the melancholy fate of the few gentlemen who had risked their clean linen in municipal or state politics in New York. The day was past when that sort of thing was possible: the country was in possession of the bosses and the emigrant, and decent people had to fall back on sport or culture.
``Culture! Yes -- if we had it! But there are just a few little local patches, dying out here and there for lack of -- well, hoeing and cross-fertilising: the last remnants of the old European tradition that your forebears brought with them. But you're in a pitiful little minority: you've got no centre, no competition, no audience. You're like the pictures on the walls of a deserted house: `The Portrait of a Gentleman.' You'll never amount to anything, any of you, till you roll up your sleeves and get right down into the muck. That, or emigrate . . . God! If I could emigrate . . .''

Pino Restfull painting

Pino Restfull painting
Pino pino_color painting
Pino day dream painting
Atroshenko Intimate Thoughts painting
The fire had crumbled down to greyness, and one of the lamps made a gurgling appeal for attention. Madame Olenska rose, wound it up and returned to the fire, but without resuming her seat.
Her remaining on her feet seemed to signify that there was nothing more for either of them to say, and Archer stood up also.
``Very well; I will do what you wish,'' she said abruptly. The blood rushed to his forehead; and, taken aback by the suddenness of her surrender, he caught her two hands awkwardly in his.
``I -- I do want to help you,'' he said.
``You do help me. Good night, my cousin.''
He bent and laid his lips on her hands, which were cold and lifeless. She drew them away, and he turned to the door, found his coat and hat under the faint gas-light of the hall, and plunged out into the winter night bursting with the belated eloquence of the inarticulate.

Jean-Paul Laurens paintings

Jean-Paul Laurens paintings
Jules Breton paintings
Johannes Vermeer paintings
Jacques-Louis David paintings
and minds. Literature and art were deeply respected in the Archer set, and Mrs. Archer was always at pains to tell her children how much more agreeable and cultivated society had been when it included such figures as Washington Irving, Fitz-Greene Halleck and the poet of ``The Culprit Fay.'' The most celebrated authors of that generation had been ``gentlemen''; perhaps the unknown persons who succeeded them had gentlemanly sentiments, but their origin, their appearance, their hair, their intimacy with the stage and the Opera, made any old New York criterion inapplicable to them.
``When I was a girl,'' Mrs. Archer used to say, ``we knew everybody between the Battery and Canal Street; and only the people one knew had carriages. It was perfectly easy to place any one then; now one can't tell, and I prefer not to try.''
Only old Catherine Mingott, with her absence of

Picasso Family at Saltimbanquesc painting

Picasso Family at Saltimbanquesc painting
Lempicka Sketch of Madame Allan Bott painting
flower 22007 painting
Rossetti A Vision of Fiammetta painting
``Sameness -- sameness!'' he muttered, the word running through his head like a persecuting tune as he saw the familiar tall-hatted figures lounging behind the plate-glass; and because he usually dropped in at the club at that hour he had gone home instead. He knew not only what they were likely to be talking about, but the part each one would take in the discussion. The Duke of course would be their principal theme; though the appearance in Fifth Avenue of a golden-haired lady in a small canary-coloured brougham with a pair of black
-83-cobs (for which Beaufort was generally thought responsible) would also doubtless be thoroughly gone into. Such ``women'' (as they were called) were few in New York, those driving their own carriages still fewer, and the appearance of Miss Fanny Ring in Fifth Avenue at the fashionable hour had profoundly agitated society. Only the day before, her carriage had passed Mrs. Lovell Mingott's, and the latter had instantly rung the little bell at her elbow and ordered the coachman to drive her home. ``What if it had happened to Mrs. van der Luyden?'' people asked each other with a shudder. Archer could hear Lawrence Lefferts, at that very hour, holding forth on the disintegration of society.