Tamara de Lempicka Dormeuse painting

Tamara de Lempicka Dormeuse paintingTamara de Lempicka Breast feeding paintingTamara de Lempicka Andromeda painting
immunity was good ground for vexation. The detectives were surly fellows, African born. Even the sacred word “tourist” failed to soften them. Where was my guide? Tourists did not visit the Moulay Abdullah alone. Where was my passport? At my hotel. The Jamai Palace? No? Tourists did not stay at the hotel I mentioned. Was I registered at the police headquarters? Yes. Very well, I must come with them. In the morning I should have the opportunity to identify myself. A hundred francs, no doubt, would have established my respectability, but my money lay with my passport in the hotel. I did not relish a night in gaol in company with the paperless characters of the Moulay Abdullah. I told them I was a friend of the British Consul. He would vouch for me. They grumbled that they had no time for special enquiries of that kind. The Chief would see about it next morning. Then when I had despaired, they despaired too. There was clearly no money coming for them. They had been in the profession long enough to know that no lasting satisfaction results from vexing British subjects. There was a police post in the quarter and they consented to telephone from it. A few minutes later I was set at liberty with a curt reminder that it was advisable to keep my passport accessible if I wanted to wander about the town at night.