Monday, August 18, 2008

Johannes Vermeer View Of Delft painting

Johannes Vermeer View Of Delft paintingJohannes Vermeer The Kitchen Maid paintingPierre Auguste Renoir Girls at The Piano painting
play with it, but then he drew back once more and sat on his haunches, tail curled around his front feet, queer head to the side. His eyes were green, speckled with gold.
"But that was long ago," the girl said. "Now I am two— myself, and this other that you call 'my lady.' For she is here as truly as I am now, though once she was only a veil over me. She walks in the castle, she sleeps, she dresses herself, she takes her meals, and she thinks her own thoughts. If she has no power to heal, or to quiet, still she has another magic. Men speak to her, saying 'Lady Amalthea,' and she answers them, or she does not answer. The king is always watching her out of his pale eyes, wondering what she is, and the king's son wounds himself with loving her and wonders who she is. And every day she searches the sea and the sky, the castle and the courtyard, the keep and the king's face, for something she cannot always remember. What is it, what is it that she is seeking in this strange place? She knew a moment ago, but she has forgotten."
She turned her face to Molly Grue, and her eyes were not the unicorn's eyes. They were lovely still, but in a way that had a name, as a human woman is beautiful. Their depth could

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